“My mother became a woman in that hellhole and filled the space in everybody’s heart after typhus carried Margarita María Miniata. She, too, was sickly. She had spent an uncertain childhood plagued by tertian fevers, but when she was treated for the last one the cure was complete and forever, and her health allowed her to celebrate her ninety-seventh birthday with eleven of her children and four more of her husband’s, sixty-five grandchildren, eighty-eight great-grandchildren, and fourteen great-great grandchildren. Not counting those no one ever knew about. She died of natural causes on June 9, 2002, at eight-thirty in the evening, when we were already preparing to celebrate her first century of life, and on the same day and almost at the same hour that I put the final period to these memoirs.”
V. S. Naipaul Flatters Himself (As He So Often Does)
“That idea of ruin and dereliction, of out-of-placeness, was something I felt about myself, attached to myself: a man from another hemisphere, another background, coming to rest in middle life in the cottage of a half-neglected estate, an estate full of reminders of its Edwardian past, with few connections with the present. An oddity among the estates and big houses of the valley, and I a further oddity in its grounds. I felt unanchored and strange. Everything I saw in those early days, as I took my surroundings in, everything I saw on my daily walk, beside the windbreak or along the wide grassy way, made that feeling more acute. I felt that my presence in that old valley was part of something like an upheaval, a change in the course of the history of the country.”
