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The Gist: Veni Vidi Filchy
Iraqi “Reconstruction” by Bush Sopranos

When Gengis Khan Khan’s grandson leveled Baghdad in 1258, in characteristically bloody Mongol fashion, the city was essentially ruined until the twentieth century. Only oil money, post-colonialism’s repressive efficiencies and Western-sponsored regimes, Saddam Hussein’s among them, helped revive the city that was once the center of the world. The American “reconstruction” of Iraq is turning into another Mongol experience for Iraq.

The Special Inspector General for Iraq Reconstruction, a sort of internal investigative arm of America’s pro-consular affairs in Iraq, is required by law to submit quarterly “progress” reports to Congress on reconstruction. The reports, like last October’s 21 pages of lingo and acronyms and “please to report” qualifiers, usually point to corruption and shambles only behind velvety euphemisms and the promise, always the promise, of improvements. That’s the public face of American know-how: Identify the problem, identify a solution, implement the solution, then advertise it to the public (and make sure the APPLAUSE sign is flashing).

Except that the non-public version of the Inspector General’s report of reconstruction to date paints only a picture of incompetence, corruption, turf battles, cluelessness, staffing shortfalls: It is Iraqi reconstruction by The Sopranos (HBO miniseries to follow, one assumes). Iraqi oil production is below what it was before the war. So is electricity production. It’s easy and convenient to blame the insurgency, which is doing its share of destruction. But as always in these wars of convenience and quick-grasp profiteering, the bandits, in the justified eyes of Iraqis, are insurgents as much as the occupiers and their subcontracted minions a-la-Halliburton (remember, 80 percent of Iraqis mistrusted the occupation in a poll taken before the Abu Ghraib prison scandal.) What did we expect from the Bush junta? Preparedness and accountability are the twin evils they equate with “lawyering things to death” (Bush’s phrase) and what they sneeringly call “business regulation,” thus revealing what this whole little adventure in saving the world from democracy is to them: a business. Dirty, but not little.

—Pierre Tristam


 


THE DAILY JOURNAL VANPOEM
 

As One Put Naked Into a Cigarette Boat

Continue chiding, since it's part of the new aesthetic,
and parcel to our coming home, as if
we'd disappeared into the burning bush
that calls to those who sit vacantly in parlors
awaiting a fate freighted with song and dance.
I stroll while staring and raging
with difficulty at the stubborn sky.

On my honor I step a little distance
from behind the curtain, only to disappear
the moment no birds sing, which occurs frequently.
Leaves dustier than furniture, the sound
of sleeping grating through the cosmos,
my footstool, my only talisman.
It's been real, arguing on your behalf.
Gray cobweb shadow, falling, floundering,
finding a place to not be shy and think
boldly about the oldness of beauty, a place
to rest its weary insubstantial head.

It may be that I stand on the threshold
of the checkout line, unsure of what
to be impulsive about, which momentous emptiness
to spontaneously identify my alienation with,
what kind of languor to slide into

before being reduced to grubbing for credentials,
locked in that tumid late-afternoon skin,
effervescing in its sea of dreams.
And all the things hearkening back to it,
the boat ride to breaker beach
there at the end of one world
where it paid to rage at the stammering waves
that kicked and screamed solely for my benefit,
staged objections to the inexorable fact of me.

Look: I've installed a turnstile in my kitchen,
so your picture-postcard of desolation has no power over me.
In this doggy-dog world land is made motionless
and the broads are standing on the wharves
with some of that sipping whisky on those silver trays,
which we'd be a bear to pass up. You speak
of the old gods who've washed up on shore,
but I don't see them, don't hear their hue and cry,
though their maze awaits us, will amaze us.
Here, let me get this little rock out of my damn shoe.
Then we can talk about paddling off to parts unknown.

 
Van Foreman
 
 

 


 

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