CULTIVATING LIBERALISM
FOR ALL CLIMATES
SINCE 1759
 
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The Gist: Shame of the Union
A Radioactive Presidency Down to Its Half-Life

I’m writing with President Bush delivering his State of the Union address in one ear and my two-year-old son clapping idly in the other. He’s not clapping for the president. He knows better, even at his tender age. He’s merely learning to keep time with the rhythms of delusion. He has to. His generation will be contending with the consequences of this president and his 300-odd complying applause signs in the House and Senate for years, if we, if these children of ours, make it that far before Bush’s descendants find the means to send them to war. Where will that splendid little theater be in fifteen, twenty years? India’s Ganges Valley? China’s Gobi desert? Canada? I’m assuming that America will be relevant enough to still be sending contingents to the four corners of the world. That defies the strategic math of a nation facing a $10 trillion debt by the time Bush leaves office.

I hear the president talk of peace between three bursts of applause even as he refers, again, to that Marine killed recently in Fallujah, the one who left behind a letter saying how proud he was to have died for the cause. The soldier has become a mascot for the country’s jingoes and jabbermouths, but the irony, not of the letter but of the president celebrating a soldier fallen in Fallujah, passed over naturally unnoticed. Wasn’t that the city the Marines “liberated” in the largest sustained assault since, what, that pointless battle in the Ia Drang Valley in November 1965? “The end of irony and satire and superficiality were at hand,” one writer echoing many wrote in the New York Times two months after 9/11. Irony didn’t die that day, of course. It mutated, as if radiated by a fresh new strain of plutonium. Congress is aglow with it today, has been since that day Bush stood on the rubble of the Twin Towers, a bullhorn in one hand and a pair of handcuffs for the world in the other. No wonder he’s calling for a resumption of nuclear power plant construction.

Here he is, winning applause for bashing entitlements in the same sentence as he asks for his tax cuts to be made permanent, applause for blabbering on about a country “at war” (only in America does a president get applause, passionate applause, for pleading to have his wars taken seriously), applause as he hails the judiciary’s lurch back to the days of William Howard Taft, when justice was measured by the size of dividends' girth.

Yet at the end of the day there was a flicker of that old-time irony: Samuel Alito was confirmed, Coretta Scott King died. She knew what was up. She’d had enough.


 


THE DAILY JOURNAL VANPOEM
 

As One Put Naked Into a Cigarette Boat

Continue chiding, since it's part of the new aesthetic,
and parcel to our coming home, as if
we'd disappeared into the burning bush
that calls to those who sit vacantly in parlors
awaiting a fate freighted with song and dance.
I stroll while staring and raging
with difficulty at the stubborn sky.

On my honor I step a little distance
from behind the curtain, only to disappear
the moment no birds sing, which occurs frequently.
Leaves dustier than furniture, the sound
of sleeping grating through the cosmos,
my footstool, my only talisman.
It's been real, arguing on your behalf.
Gray cobweb shadow, falling, floundering,
finding a place to not be shy and think
boldly about the oldness of beauty, a place
to rest its weary insubstantial head.

It may be that I stand on the threshold
of the checkout line, unsure of what
to be impulsive about, which momentous emptiness
to spontaneously identify my alienation with,
what kind of languor to slide into

before being reduced to grubbing for credentials,
locked in that tumid late-afternoon skin,
effervescing in its sea of dreams.
And all the things hearkening back to it,
the boat ride to breaker beach
there at the end of one world
where it paid to rage at the stammering waves
that kicked and screamed solely for my benefit,
staged objections to the inexorable fact of me.

Look: I've installed a turnstile in my kitchen,
so your picture-postcard of desolation has no power over me.
In this doggy-dog world land is made motionless
and the broads are standing on the wharves
with some of that sipping whisky on those silver trays,
which we'd be a bear to pass up. You speak
of the old gods who've washed up on shore,
but I don't see them, don't hear their hue and cry,
though their maze awaits us, will amaze us.
Here, let me get this little rock out of my damn shoe.
Then we can talk about paddling off to parts unknown.

 
Van Foreman
 
 

 


 

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