CULTIVATING LIBERALISM
FOR ALL CLIMATES
SINCE 1759
 
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Daily Bloggerback
Tuesday, January 17, 2006

From the left, the right, the in-between: we include the political,
the social, the cultural and the undefinable.

Featured Blog I: Cairo Catcalls
A Woman Traveling Alone

[An Oregonian wandering the Middle East for the last several months, Michael Totten is a writer, journalist, photographer and ethnographer all in one. This is only his latest post. His archives are a trove waiting for hardbacks.]

CAIRO – Egypt doesn’t do many things better than Lebanon, but it does do the Internet better. Free wi-fi is both fast and ubiquitous.So I went to a cozy restaurant and pub, ordered a four-cheese pasta from the waiter, flipped open my laptop, and poked around the Web for contact information for the Muslim Brotherhood. A twenty-something Western woman sat alone at the next table reading an English-language newspaper. We smiled hello to each other. “Are you a student here?” she asked in an Australian accent. Everyone thinks I’m a student when they see my notebook and laptop. “No,” I said. “I’m a writer. You?” “Just traveling,” she said. “By yourself?” I said.

“I’ve been traveling alone for four months. I started in India and I’m working my way to Spain.” Read the rest at Totten's Journal...

 

Featured Blogger II: Ready for Prime Time
Jihadist Propaganda's Chat Show Slicks Up A Slice

Remember the days when a bunch of ragtag hoodlums in ski-masks and training suits would hover over a hapless victim to read their jihadist manifesto? Remember those same thugs brandishing Kalashnikovs and RPG-7s under crackling fluorescent lighting, with a tattered banner advertising their group’s name and slogan as a backdrop? Well, times have changed if the latest video installment from the “Media Division of the Jaish Ansar Al-Sunna” is any measure to go by. In this 30 minute video, we see two individuals, Abu Munther Al-Ansari, and Abu Ahmad Al-Baghdadi, comfortably sitting in a studio modeled along a talk-show format. Yes, they are SITTING IN A STUDIO! And I’m not talking about two stools and a desk; this is a modern studio with ample lighting, three camera angles and nice woodwork. They’ve even got the name of their organization, Jaish Ansar Al-Sunna (‘JAS,’ the no. 2 organization on the terrorist charts after Al-Qaeda in Iraq), engraved up at the front. [Sorry, I was unable to get any stills from the RealAudio file.] Abu Munther sits sporting a black blazer and a white turtleneck, even though the ski-mask is still a mandatory part of the wardrobe, and he’s performing the role of the host of this setting. Today’s guest is Abu Ahmed from the Military Council of JAS, who is underdressed for the occasion because “I didn’t know that this was going to happen,” as he apologetically explains towards the end. This professional production is supposed to “counter the agencies of the Crusaders’ propaganda.” Abu Munther promises to conduct field visits to areas—‘liberated areas’ in his jargon—where the insurgents hold sway and “there are no Americans or Iraqi National Guards.” He keeps jabbing a pen in the air to emphasize key points. And he delivers the goods: the screen cuts away to insurgents—no more that 20 or 25—riding in sedans, and taking over a section of Baghdad’s southern Dora neighborhood amid a hail of bullets.Read the complete episode at Talisman Gate...


 


THE DAILY JOURNAL VANPOEM
 

As One Put Naked Into a Cigarette Boat

Continue chiding, since it's part of the new aesthetic,
and parcel to our coming home, as if
we'd disappeared into the burning bush
that calls to those who sit vacantly in parlors
awaiting a fate freighted with song and dance.
I stroll while staring and raging
with difficulty at the stubborn sky.

On my honor I step a little distance
from behind the curtain, only to disappear
the moment no birds sing, which occurs frequently.
Leaves dustier than furniture, the sound
of sleeping grating through the cosmos,
my footstool, my only talisman.
It's been real, arguing on your behalf.
Gray cobweb shadow, falling, floundering,
finding a place to not be shy and think
boldly about the oldness of beauty, a place
to rest its weary insubstantial head.

It may be that I stand on the threshold
of the checkout line, unsure of what
to be impulsive about, which momentous emptiness
to spontaneously identify my alienation with,
what kind of languor to slide into

before being reduced to grubbing for credentials,
locked in that tumid late-afternoon skin,
effervescing in its sea of dreams.
And all the things hearkening back to it,
the boat ride to breaker beach
there at the end of one world
where it paid to rage at the stammering waves
that kicked and screamed solely for my benefit,
staged objections to the inexorable fact of me.

Look: I've installed a turnstile in my kitchen,
so your picture-postcard of desolation has no power over me.
In this doggy-dog world land is made motionless
and the broads are standing on the wharves
with some of that sipping whisky on those silver trays,
which we'd be a bear to pass up. You speak
of the old gods who've washed up on shore,
but I don't see them, don't hear their hue and cry,
though their maze awaits us, will amaze us.
Here, let me get this little rock out of my damn shoe.
Then we can talk about paddling off to parts unknown.

 
Van Foreman
 
 

 


 

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